Milton Nascimento and Lô Borges ' collaborative album Clube Da Esquina (Club on the Corner), released in 1972, is considered a revolutionary work in the history of Brazilian music: the album fused elements of bossa nova, samba, folk, rock and classical music to create a new sound that transcended genres.

The 1978 album Festa Para Um Novo Rei (Festival for the New King) by the group Index, led by Brazilian music maestro Marcos Resende, is a fusion of jazz, bossa nova, funk and the rich rhythms of Brazil. The album is a culmination of Resende's musical explorations and has been regarded as a symbol of the intersection of Brazilian music and jazz since its release.

Quietly released in the late 1970s, the album Manolo - Manolo is as mysterious now as it was then. This self-titled album is a rare and unique blend of jazz, funk, Latin and soul elements.

In 1976, LaMont Johnson released the album Nine... A Mystical, Musical Allegory, a unique work that transcends the boundaries of spiritual jazz. This album is not just music, but is constructed as a "musical allegory" with themes of numerology and spirituality, giving listeners deep insight and inspiration.

Cullen Knight 's album Looking Up , released in 1977, is a hidden gem that fuses the essence of spiritual jazz and modern jazz. It was released quietly on a small label and was not widely known, but its musical perfection and passion continue to deeply impress listeners beyond time.

Bernie Krause 's 1979 album Citadels of Mystery is a unique and enduring fusion of electronic music and field recordings. The album represents Krause's innovation in pushing the boundaries of what was possible in music through his forward-thinking approach to natural sounds and synthesizers.